Festive beads

Festive set

Today’s featured beads are on the festive side.

The three large encased glass cylinder beads were hand made at Aura Sun Arts as a matched set; they have air bubbles, traces of gold and bright splashes of colors inside.  The largest measures 16 x 14 mm and is strung on an 18 inch necklace with a double strand of accent and seed beads in the same colors.

The matching earring beads measure 14 x 11 mm and dangle on shepherd hooks.  Click on the image for a closer view.

This morning’s broadcast of Sunday Morning on CBS featured a segment on “Beads of Courage” an organization that donates beads to children with serious illnesses.  They accept donated beads and have a page that details what beads they especially need.  I look forward to creating some special beads for them.  Either link will get you to the video of the segment that was aired this morning.

For the children involved, having a necklace that details their treatment milestones is a tangible way to be proud of their courage.

Spiral peyote choker

Spiral peyote choker

Today’s necklace features an Aura Sun Arts lampworked bead with blues and traces of gold.

The necklace is 16.5 inches long, and is strung on stainless steel beading wire, with a tube of spiral peyote stitch seed beads embellishing each side.  The seed bead work is done with a tiny needle and upholstery thread.  Click on the image for a larger view.

Weaving the beads and thread is somewhat like making running bond brickwork.  You will have a string of beads with alternating beads standing taller, and you add the next bead between two tall neighbors.  I have used seed beads of three different sizes here, which makes the pattern more free form.

The Wikipedia article on brickwork has some interesting terminology for bricks, like soldier, sailor, shiner and stretcher; all names for how the bricks are placed in the wall.

The bead weaving is a slow process which makes this style more expensive, resulting in a price range of $90.00 to $120.00 for this one or similar necklaces.

String ’em up

After a summer of bead making, when the cooler weather arrives, it is time to string up your creations into wearable jewelry.  There are so many ways to do this, but the very simplest is to wear a bead on a ribbon or leather cord.  Another easy way is with flexible beading wire and crimping tools.  With a crushable tube of silver (a crimp bead) you can secure the wire to the end clasps to finish your strand.

Finished strand of beads with loose seed beads

Here I have a blue green center bead I made with some companion beads – seed beads and some slightly larger beads for more color and contrast.

A variation on this would be to have three or more strands of smaller beads holding that larger center bead, the multi-strand necklace.  Next time I will have a knit tube of seed beads forming the necklace to show off, stay tuned.

working with flame

How does one make a lampworked glass bead?

half made bead

Take a steel rod of 2 – 3 mm diameter, coated with a clay release agent, and heat up this rod in the flame.  With the other hand, select a glass rod of the color needed, and introduce this slowly to the flame as well.  The end of the glass rod will begin to melt, and form a blob, or “gather.”  Drip this onto the rod, and wrap it around.  Click on the photo for a larger view.

I usually marver the bead now, by rolling it on a flat surface until it takes a cylinder shape, and use this as my canvas to paint with more colors.  I keep adding layers of color, and often finish the bead with some clear glass encasing.

fully molten bead

The bead can be rather lumpy at this point, like a raspberry.   I heat it up further until it is entirely molten, and takes on a smooth rounded shape.  You must continually rotate the rod to keep the bead centered.  If you wish the bead to be textured you skip this rounding.  The bead can also be shaped by rolling it on a flat surface, or pressing it into a mold.

Then let it cool down until the normal colors return to the glass, and put it away in a kiln or warming thermal blanket to rest for several hours.  The next day it can be taken off the rod:   after a soak the clay rinses away and it twists free, the bead is complete and the rod can be re-coated with clay for the next dance.

The flame is a Minor lampworking torch with a mixture of propane and oxygen fuel.  Proper ventilation and didymium safety glasses are essential.  Wikipedia has several good entries relating to beadmaking and glass art.

Click on any photo here for a larger view.

torch, glass rods, and safety glasses

the mo report

Hello Mo fans!

mo inspects the beads

Mo and Nimbus had a weekend alone when I was on the road visiting OTHER cats and dogs, chickens and goats.  I had the opportunity to visit Bev’s Farmstead Cheese out in Prineville, OR, and watch the goats being milked!  I also got to try several varieties of goat cheese.   Wow, the garlic mozzarella is delicious.

The cats are enjoying having me back and seem extra playful.

Here is Mo, helping me inspect the beads.    There are new beads up!  Seafoam Blues, Rainbow Stripes, Candy Canes, more Crazy Quilts, and I also added a Digital Art section.  Bev got one of the Candy Cane beads to celebrate the 4th of July, and I came home with some goat cheese.  Great weekend!

butterfly beads

I once had a butterfly stand,

swallowtails

where I sold hand colored paper butterflies to my mother, who wisely thought that safer and more creative than a lemonade stand.

I suspect she still has those paper butterflies, carefully stored away.

Now I have the chance to try my hand at butterflies again, shaky childish efforts only a mother could love.  Click to see them fly.

glass butterflies

Could this be an example of the mother-daughter butterfly effect?

private reserve: multistrand necklaces

tubular seed beads with focal bead

There are many different styles for stringing beads into finished pieces.  These are not for sale, but are examples of my work.

This one shows a focal lampworked bead with a choker made of seed beads, woven in peyote stitch into a tube.  Mo approved.  These will be fun to make in a rainbow of colors.

multicolored multistrand

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On the left is a set of multicolored seed beads; coral, turquoise, deep blue, with chips of opal and chunks of coral interspersed.  The multistrand necklace has a coral focal bead, and the peyote stitch bracelet has coral buttons.  Click to see entire view.

brown buddha

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On the right, is  a multistrand  seed bead necklace in a gradient of browns, interspersed with brown pearls and larger brown faceted glass beads.  Click to see the matching earrings.  I did not carve the lovely boxwood Buddha bead, the signature on the back might be Japanese.

best of 2008 blues

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Lastly, a single strand that has the best of the blue beads I made in 2008 during classes at Glass Expressions, in Burien, WA.  The clear and frosty beads are quartz.  Also shown are matching earrings.

Click on any of the photos for a larger view.

blue oceans of glass

Blue has to be one of my favorite colors.

oceanic blues and greens

Blue glass beads can remind one of the fabulous colors of the ocean.  Tropical waters are very clear, with little plankton, and the water is clear all the way down to the sandy bottom, showing off those gorgeous turquoise tints.  Northern waters, with richer plankton, are a dark blue green.

When you paint with watercolors, you can combine or layer colors to blend and mix until you achieve new colors.  Glass is much the same, so start with a sandy layer, then add pale blues and greens, deeper blues, some flotsam, jetsam, and a few bubbles, and you can almost imagine yourself snorkeling, rocking in the ocean to the sound of your breathing.

watercolor painted in Belize

Click on the photo to see more big blues.  Those with a layer of clear glass on the outside – “encasing” –  have an extra sense of depth.  This layer refracts and bends light just as water does.  Quite a few of these are matched pairs or sets.  See all the blue beads on the Blue oceans page.  Other new sets are featured on the Earrings page.

Making beads

People are sometimes puzzled when they see my jewelry.

glass rods

You made the necklace, and the beads?  The bead stringing they can understand, but they are sometimes shocked to hear that I made the beads themselves and ask how.

It all starts with glass rods and a torch.  Here you see my work area with the many colors of glass rods arrayed on a hotplate.  The red knob at lower left is part of the torch.  At lower right you see the didymium safety glasses.  Click on the photo to see a larger view.

Lampwork is the term used to describe working with molten glass using a small ‘lamp’ or torch.  The beads are made by heating up the glass rods until liquid, and wrapping it around a steel rod coated with a release agent.  After the bead is complete, the rod is removed and that leaves a hole in the bead.

Stay tuned for weekly posts about beadmaking, other artistic adventures, and the Friday Mo report!

the mo report

Hello Mo fans!

Mr Mo

Mr Mohawk, aka Mr Mo, aka Mr Silkypants, is my black cat.  He has a natural spiky hairdo that inspired his name.  His buddy, Miss Nimbus, is white with some dark thunderstorm grey spots and a grey tail.  The salt and pepper cats.

The Moboy was lording it over the homestead for a second week.  Miss Nimbus stayed a second week at the cat convalescent center in the mountains.  I hear she is finally approaching regularity after a diet that includes cooked pumpkin and prune juice!!

Meanwhile, Mo is so happy to be the only cat and have his mistress all to himself.  He will come over for a snuggle and that extra high pitch to the purr tells you he is REALLY happy.  There are purrs and extreme purrs.

Here’s a photo of Mo in the garden, sporting a bead on his collar, hanging below the bell.